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PROJECTS

Odisea

"Odisea" is the project that started our chamber music formation and the name of our first album. It is a search for sound richness to show the diversity in classical music.

 

We start from the sound outside the West, going through the influences of traditional and popular music from the nationalist currents of the 20th century. The three timbres of wind, string and piano that make up our group open up their sound range, achieving a very special and characteristic result. In these pieces we play with the confluences of tradition and academia, interpreting works that explore the timbral possibilities of the three instruments. We treat music from its primordial origins with song and dance as an expression of autochthonous culture until its evolution to the sonata and even the conceptual work.

 

We chose composers who are inspired by the traditional music of their country such as R. Groba, P. D'Rivera, B. Bartok, others who drink from their training in Western classical music such as J. Turina, N. Kapustin and S. Coleridge-Taylor, and those who create new currents from the classical music of their cultures, such as R. Shankar.

 

"Odisea" is that sharing of the value of a world in which the cultures that compose it are known and appreciated.

Perspectivas

In her book,  A Room of One’s Own, Virginia Woolf tells us how "for most of history, anonymous was a woman.” 

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Despite their brilliant lives and careers, many are the female composers who have remained practically anonymous while their male counterparts were considered the benchmark of Classical Music.

This project offers a historical journey from the 12th Century to present day, with the purpose of doing justice and delving into the music of exceptional women through the ages.

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"Perspectivas" is our tribute to the hidden legacy of female composers.

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